Plausible Denial Productions - Russ Meyer's DVDs

FASTER PUSSYCAT, KILL! KILL!
Black & White/83 Minutes

Is the story of a new breed of SUPERWOMEN emerging out of the ruthlessness of our times. We are introduced to three BUXOM Go-Go girls: VARLA, ROSIE, and BILLIE, wildly dancing the Watusi before the leers, jeers and lecherous come-ons of their drooling all-male audience. The violence, implicit in the girls' tease, is quickly moved out of the microcosmic bar into the outside world as they literally let go of themselves, embarking on a wild, violent, deadly journey of vengeance on all men. VARLA, the outrageously abundant KARATE MASTER leader of the pack, breaks the arms and back of one man, runs her Porsche over two others, grinds a fourth, a muscleman, against a wall and, eventually, deliberately goes down the path of her own self-destruction, dragging her two BUXOTIC cohorts along with her.

Russ Meyer's UP!
Color/80 Minutes

Russ Meyer's "tried and true" formula is on-target again...outrageously buxom women and dumb, muscular men laying their sexually aggressive prowess on the line. Yes, it's all here in Russ Meyer's UP!

Two-timers, cops, robbers, joints, and mind-boggling, bra-busting women

•SWEET LI'L ALICE ...fast, foxy, and fertile
•the HEADPERSON (Candy Samples aka Mary Gavin)...awesome abundance
•POCOHONTAS...cantilevered, protuberant
•the CHESTY YOUNG THING...conical, unrestrained
•LIMEHOUSE...pneumatic bliss - oriental style
•GWENDOLYN...what a pair of jungle drums
•the GREEK CHORUS (Kitten Natividad)...the biggest and the best
•and the "smothering" MARGO WINCHESTER...assault with a deadly bosom
•plus the usual assortment of good lookin', virile, awesomely hunky klutzy men.

There's always somethin' BIG about a Russ Meyer movie!

Mondo Topless
(or "Thanks for the Mammaries")
Color/61 Minutes

Topless...in phrase and craze...is sweeping the country...changing the moods and mores of people everywhere. Russ Meyer's MONDO TOPLESS captures the basic essence of the movement...with MOVEMENT! Way out, wild undulatory movement! Go-Go Girls...in and out of their environment...baring far more than their souls. BEHOLD the "Buxotics"...you've only dreamed about these kinds of women 'til now, but they're unbelievably REAL!...Big Busted BABETTE BARDOT...Super Stacked SIN LENEE...Double D DONNA "X"...PROTUBERANT PAT BARRINGER...Capaciously Domed DARLA PARIS...and last, but hardly least, DARLENE GREY...a mere slip of a frail tipping the scales at only 112 lbs....but get this...her untoppable...gravity-defying...bra-busting Boobs have got to comprise nearly 23 lbs. of that total by themselves!

Beneath the Valley of the UltraVIXENS
Color/93 Minutes

Russ Meyer's Beneath the Valley of the UltraVIXENS...an all out assault on today's sexual mores, and more...an end-around attack against women's lib...blasting through the male machismo syndrome...kicking the crap out of convictions, hang-ups, obsessions...the whole bag...sexually aggressive females, willing klutzy men, petroleum jelly, gingham and gossamer, tax-sheltered religion, black socks, bedroom prowess, bunko artists, big breast fixation, rear window rednecks, therapeutic cuckolding, the sixty mile-an-hour zinger, born again immersion, unfaithful girlfriends, limp-wristed dentistry, and virile garbage men.

BEHOLD
•LAVONIA...the ultimate, outrageously abundant Russ Meyer' heroine
•EUFAULA ROOP...an "Elvira Gantry" super-stacked psalm singer of the airways
•JUNK YARD SAL...the super cantilevered employer...every workingman's kind of female
•FLOVILLA THATCH...voluptuous nurse and sexual surrogate
•LOLA LANGUSTA...the carnal topless/bottomless superstar...hotter than a Mexican's lunch
•Even THE VERY BIG BLONDE (aka Candy Samples)...awesome abundance!
•BIG BOSOMS and SQUARE JAWS. Prepare to be blown away!

SuperVIXENS
Color/106 Minutes

Russ Meyer's SUPERVIXENS is the epitome of twenty years of gut-tearing film making, a rural "Fellini," geared for the young and old alike, the sophisticate and the blue collar...and in each blazing scene, the ring of truth. Never before has Meyer revealed so much of himself, or taken such umbrage with his personal life...scenes bulging with love, violence and unrelenting hate...each scene bearing his own indelible stamp.

Geared for the times, Russ Meyer's SUPERVIXENS wields the double-bladed axe of satire...cutting and hacking its way to the very bone of society...laying bare and exposing, with great candor, the frailties, weaknesses and strengths of its citizens. A picture born to entertainment, shocking in its frankness, yet so hilariously funny in its delivery. A cinematic smorgasbord of erotic fantasy...SIX of the world's most BOUNTIFUL women...served up from the lusty table of Russ Meyer.

Feast on it!

Pandora Peaks
Color/72 Minutes

Adult cinema director Russ Meyer returns to the screen for his first time in 20 years with this documentary about big-breasted (Triple H cup) strip dancer Pandora Peaks. Meyer combines biographical info on the chesty exhibitionist with plenty of Peaks' sexy routines, as well as snippets of his own cinematic history. Reminiscent of the director's earlier Mondo Topless, the film is a collision of rapidly moving montage sequences that supply acres of skin along with Meyer's own lecherous sense of humor. The pneumatic Peaks is shown dancing in dusty desert locales, drinking at a German Oktoberfest, and enjoying a stimulating workout on her Trimax machine. Meyer is also a frequent face, trout fishing with a variety of Army buddies and mugging impishly at his over-endowed subject. The film includes appearances from busty starlets such as Tundi, Leosha, and Candy Samples and brings back Anthony James Ryan to briefly reprise his role from Eve and the Handyman.

FULLY UNCUT FILMS INCLUDE:

"FINDERS KEEPERS... LOVERS WEEPERS", "COMMON-LAW CABIN", "GOOD MORNING...AND GOODBYE"
Produced and Directed by RUSS MEYER

Starring: Alaina Capri, Babette Bardot, Adele Rein, Anne Chapman, Haji,
Stu Lancaster, Paul Lockwood, Sylvia Tedemar, Lavelle Roby and Carol Peters

"Finders Keepers...Lovers Weepers" (1968) stars Anne Chapman, Paul Lockwood and socks it to you. The flesh, fantasy, and action... unencumbered by parlour analysis or suburban sociology. Russ Meyer's spirited ruttings happen on pool tables , in showers, in swimming pools... even in bedrooms!

"Common-Law Cabin" (1967) is a scorching, satisfying survey of Big Women, Big Appetites and Big Trouble. Meet Alaina Capri (42-24-36), Babette Bardot (42-24-36), and Adele Rein (42-24-36) --three innocent girls trapped in heavenly womanly bodies. Russ Meyer's cheeky (and bosomy) opus co-stars Ken Swofford, Jackie Moran. A busted out tourist trap under Arizona's hot desert sun... a way out, raunchy dude ranch... far enough up river from town to escape the prying-eyed, suspicious curiosity of the law. A slow, simmering look at three fast boiling women at the mercy of themselves... their twisted morals... their insatiable appetites.

Say "Good Morning...and Goodbye!" (1967) to the go-go dancers, nudes, swervy-curved teenage honeys, and haunting seductresses that populate these proceedings. Carol Peters and Haji star. Finally, a couple of thugs get theirs when they involve themselves in a strip joint and a pack of Wild Women rearin' to go. Russ socks it to Suburbia, and not a stone nor gal with big bangers is left unturned. Without compromise, without apology, and without question, Russ Meyer has made an honest motion picture which explores the deepest complexities of contemporary life, as applied to love and marriage in these United States.

This four-disc set also includes a program of vintage Meyer footage, top-heavy with the usual luscious ladies.

Produced and Directed by RUSS MEYER

EUROPE IN THE RAW (1963) Digitally Restored Version and Original Version On One Disc! An unrestrained, voluptuous and wanton excursion to the birthplace of sensual eroticism. Much of this captivating film was shot with the camera concealed in a briefcase. Europe in the Raw takes you, for the first time since its release in 1963, on a torrid and tempestuous tour of Europe.

THE IMMORAL MR. TEAS (1959) America's first classic skin-flick. Up until the late fifties, the only pleasures that the raincoat brigade, the salesmen killing a couple of hours, and the people generally interested in dirty movies had access to were films depicting nudist camps, French or Italian imports with a smattering of sexual content, and what might be described as "Early Forty-Second Street." Russ Meyer's THE IMMORAL MR. TEAS changed all that, for here was a film that dared to laugh at all the pretentiousness of its predecessors, and quite unabashedly for the first time depicted the living pinup, the mythical woman, the unblemished, unpimpled, unsweaty, hothouse fruit, which

EVE AND THE HANDYMAN (1961) Russ Meyer, whose first one-man success was the Rabelasian "The Immoral Mr. Teas," has come up with Eve And The Handyman to compete with the so - called imported art film classics. Meyer's versatility with the camera has remembered what other message-making film men forget .. to entertain. But that should not mislead the rollicking viewer from appreciating Meyer's satiric handling of themes like sex realism / the economics of supply and demand / harassing the poor consumer / wasteful technology / the overly dramatized mystery of modern medicine . . psychiatry's siren call (the recurring major theme of Man's Ideal Female Image, as played by our voluptua-Alec Guiness Eve Meyer) . . the poor little man so mired by conformity that he is not only blinded by, but helps cover opportunity / a poke at esoteric modern art and its models . . man snarled on the highroads of life by the out-of-reach signposts that painfully mislead him from his natural destiny . . moral and evil contesting in shades of gray . . of hell breaking loose those who can juggle with life without visibly being affected by circumstances / man fighting time . . the grand-eloquent way sex is "dished" out in our modern day and age / the climatic pleasure of the happy ending . . to which we would all like to be committed. With a toast to unconscious dream fulfillment and conscious audience participation plus entertainment . . we give you EVE AND THE HANDYMAN!

WILD GALS OF THE NAKED WEST (1962) A hilarious parody on the Hollywood Western Movie . . WILD GALS OF THE NAKED WEST / investigating the ghost towns of the west / leading to our story teller / a grizzled "old-timer" and the story of his town and how it died. The stage has been set, and the film unravels its story / dealing with the ever-present "shoot-out" / brutal fist fights / prostitution / bullies tormenting the weak / ruffians / women of easy virtue. Now the stage is set with the introduction of the villainous "Snake Wolf" and his girl friend "Goldie Nuggets". Snake is the epitome of evil / Goldie the essence of physical beauty. Surrounding them, their minions / the dregs of humanity . . cruel men and their voluptuous women! Into this cesspool of life rides our would-be hero. Not the usual hero connected with the typical Hollywood Western movie . . instead, a man just barely 5 ft. tall and riding a burro! He, incurring the wrath of the heavy Snake Wolf, simply because his girl friend displays an uncommon interest in the little man. Unceremoniously, our hardly-hero is picked up by the scruff of his neck and thrown bodily out of the saloon into the dusty western street. But true to form once more, all must be neat and proper before the curtain rings down. Our hero now attired in the outlandish mode of the Hollywood cowboy / a ten-gallon hat powder blue / the suit a brilliant orange / purple boots with a big "diamond" on each toe and last but by far not least, a pistol three (3) ft. long! Of course, he dispatches the villainous Snake Wolf, but not in the customary way. Instead, his gun firing an ominous charge . . blowing the clothing off the villain / reducing him to his ugly long red underwear / Snake Wolf beats a hasty retreat. Immediately following, our diminutive hero proceeds to clean up the town from stem to sternum, and in a very business like manner, to the "god-like"worship of the heroine, Goldie Nuggets.